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There are some cinemas that use 35mm projectors, these are only used for special events now. Modern cinemas which show any new releases are exclusively distributed in digital format.
Digital projectors have been used since 2005 in the UK, however much earlier in America and China, other countries are now moving in the same direction. Many cinemas use a system called DCP which is a USB pen that gets shipped around inside a case. It improves accountability on behalf of cinema-pirates, each pen has a certain number of licences on it. A DCP is simply a file that requires activation from a licence. The DCP is signed for by the cinema, and then the projectionist is given the licence activation code to allow the content to be played. Satellite technology is being explored in order to reduce the cost of distribution (which has already more than halved in the past 10 years). Under satellite systems, the film is downloaded from a secure server and the film is activated for use via satellite; projectors can even be controlled remotely through the satellite, which centralizes the entire process externally. This is a method that has been spearheaded in the UK by such projects as National Theatre Live and Opera Live. Whilst they do broadcast globally, they remain a minority interest for exhibitors (although a growing one, due to their success). The legacy of these projects will not, however, come from their content but by their method of distribution. Even now, many distributors are promoting their ease of use as leverage to persuade developers to pursue satellite distribution as it reduces the overheads dramatically.
Why are films showed in cinemas?
Personally I would say that films are shown in cinemas to create a profit, films are showed in cinemas before they are created into DVD's for people to buy, by getting an audience interested in trailers of films it will attract them to go and watch the film at the cinemas, if the film is great more people will buy the film once it is out to buy. Another reason I can think of is the atmosphere, it is completely different watching a film at the cinema compared to in your room. The cinema has bigger screen and the sound is better which makes you feel like you are in the film, especially if the film is in 3D. Also at special events it gives people a chance to see actors that are in the films when they first premiere which can attract more people to see the film, for example the Harry Potter and the Deathly Hallows Part 2 premiere in London. You are also less distracted watching a film at the cinemas due to no phones being switched on and less people being able to distract.Why do films have websites?
Films create websites for many different reasons, we have been looking at upcoming films that have websites to promote the film, we found http://www.starwars.com/films/rogue-one , http://bleedforthisfilm.com/ , https://www.fantasticbeasts.co.uk/ , http://movies.disney.co.uk/moana and many more. These websites are for different audiences, each website shows the trailers of the films and give extra information about the films such as the actors and the making of the film. Another thing that the websites do is sell merchandise to get a profit, for example Fantastic Beasts will already have a big market due to it being a link to the Harry Potter films which explains why they have such a big shop on their website as it has similar merchandise to the Harry Potter merchandise. Some websites even have games on them. The reason for the films to have websites is to try to gain a bigger audience and to attract more people to watch the film either in the cinemas or on DVD once it is out.
Problems that a small UK based film company face in getting its film shown
- The digital revolution has flooded the marketplace
Cheaper digital production methods have helped create more product than buyers. To overcome this problem you would have to make sure that your film is a specific genre, this is because genres are the only ways that film buyers and marketing managers of distribution companies can quickly visualise the films image, trailer and marketing campaign, distributors buy genres, not drama.
- Online distribution is becoming commonplace
Valentine's day 2005, the co-founders of YouTube registered the name at www.whois.com. The company revolutionised film distribution and has changed that way people watch films and TV shows, the impact of illegal online distribution has also had the same impact on the film industry as it has the music industry. A way to overcome this problem is to develop a hybrid distribution strategy that encompasses traditional cinema/DVD/television releases with online distribution.
- You can't fund small companies like before
The Euro economic malaise has translated into public sector budget cuts, dampening the political appetite for using public money to fund films. To overcome this problem film making should be commercially viable without the need for public funding, film budgets need to stand the scrutiny of investors seeking cost-effective production, as well as a reasonable rate of return.
- Producers struggle to get development funding
Development funding is hard to get, yet without proper development movies will continue to suffer from weak storylines, and a way to overcome this is by not creating a film until a script is fully developed.
- Film producers do not necessarily need to be involved with social media
Social media is becoming more and more popular, it is here to stay strong, and it is becoming an essential part of a film's package. For example Paranormal Activity may have cost around $15,000 to make, but what Paramount bought was not the film but the social media strategy that the film maker Orin Pelli developed around the film. A way to overcome this problem is to embrace any film maker, writer, director or producer who has a strong and clearly defined social media strategy.
- The BBFC have the authority over what gets shown in film, if scenes in a film are not appropriate for the classification they will have to be cut off, without their permission the film will not be able to be shown to an audience.
- Another person that holds power is the audience, the film writers will be looking into what the target audience enjoys and what actors they like, so if the audience like a particular actor then they would be forced to use the star which makes that star also very powerful.
- Only 3 companies (StudioCanal, eOne and Entertainment) control half of all box office income made on UK independant incomes.
I have chosen to look at cinemas in Derbyshire to analyse them, I will be looking at the Odeon Cinema in Derby, Showcase Derby Cinema de Lux, Cineworld in Chesterfield, Odeon Cinema in Swadlincote and Cineworld Burton-on-Trent.
Over one weekend there are;
- 12 screens in Showcase Cinema with 28 films being exhibited and 15 films showed several times.
- 10 screens in Cineworld Chesterfield with 14 films being exhibited and 9 films showed several times.
- 5 screens in Odeon Derby with 3 films being exhibited.
- 5 screens in Odeon Swadlincote with 2 films being exhibited.
- and 9 screens in Cineworld Burton-on-Trent with 15 films being exhibited and 8 films showed several times.
In conclusion the UK film distributors alone spend around £300 million a year on bringing new releases to market and building awareness and interest among audiences. It is a fast moving, highly competitive, high-stakes business.
What does distribution entail?
Distribution entails the way in which something is shared out among a group or spread over an area. Distribution is also a way to make a product well known, similar to advertising.
What is above the line and below the line promotion?
To quote Michael John Baker from The Marketing Book , the terms ‘Above The Line’ and ‘Below The Line’ came into existence way back in 1954 with the company Proctor and Gamble paying their advertising agencies a different rate and separately from the agencies who took on the other promotional activities. ATL advertising is where mass media is used to promote brands and reach out to the target consumers. These include conventional media as we know it, television and radio advertising, print as well as internet. This is communication that is targeted to a wider spread of audience, and is not specific to individual consumers. ATL advertising tries to reach out to the mass as consumer audience. BTL advertising is more one to one, it involves the distribution of pamphlets, handbills, stickers, promotions, brochures placed at point of sale, on the roads through banners and placards. It could also involve product demos and samplings at busy places like shopping centres and markets. For certain markets, like rural markets where the reach of mass media like print or television is limited, BTL marketing with direct consumer outreach programmes do make the most sense.
Definitions;
Production-Making films
Distribution-Promoting films and getting them into cinemas out on DVD, as well as spin offs/related media products
Consumption-People paying at the cinema, renting or buying DVDs and downloading and purchasing related products


